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In time, I have learned that there is a balance in creating something simple enough to fit into your actual life and actual wardrobe, but interesting enough that it’s compelling and desirable. But, as a teenager, I would read the pages of Glamour; everyone has moments where they think this is so fun, but I didn’t really consider it as a career. In business school retailing was my major, and I really fell in love with the business of retail. Fashion was just kind of a weird default part of it. I wanted to find outlets for creativity, and I started to explore that at FIT, taking evening design courses.
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I went to USC film school, graduated, and worked with William Morris for five years, then got a job working at a production company. I wanted to produce movies—analogous to my store—that were female-led stories, or with female directors, and that’s not what I did at all. So I got to this point where I was really unhappy in entertainment, and giant male-centered projects were not where my heart was. I had one lightbulb-style epiphany to have a store, and the brands that should be in it, and the name came to me from the beginning [Bickers' great-great-grandmother’s name].
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I wasn’t just being dragged along, I really liked doing it. So, I was like, "Oh, I’ll look at vintage fabrics." That was my problem-solving way of getting great prints. So there are elements I carry from season to season, but then I play around within the margins.
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I studied fashion at Otis School of Art and Design in Los Angeles. It was a very challenging program, and I came out with a really great portfolio. It didn’t have the culture in terms of art and food and all those things to hold my interest. Crew for four years and then Calvin Klein and a couple of other designers.
Ann Lowe, first Black fashion designer, immortalized in Ohio State collection - The Ohio State University News
Ann Lowe, first Black fashion designer, immortalized in Ohio State collection.
Posted: Mon, 06 Feb 2023 08:00:00 GMT [source]
I was doing more mundane corporate design work, and I wasn’t really feeling inspired. I started thinking about, with jewelry, the sky is the limit. I started kind of dabbling in jewelry and, around 2010, I met someone and moved to Rio, Brazil. I took jewelry design classes at a little atelier started by a renowned mid-century modern designer Caio Mourão. My relationship ended, and it made sense to move back to New York to a launch line because I had a good community of friends. After the launch in December 2014, a year or so later, things really started to take off, and it felt like the right time to move to L.A.
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I really wanted to do something different—I played with wax and other materials and figured out what techniques would work. It was a combination of what I was exposed to in Brazil, and some of it has really topographic melted patterns. I did all of that by melting wax, and making a melted was cast, and that’s where that rippling effect comes from. I was really lucky that I stumbled on this technique because I haven’t seen anyone who has done that before. Because I always sort of retreat to nature for inspiration for pieces. And it’s amazing to go to the ocean and sit on rocks and get peace of mind there and come up with ideas.
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To work on some sweatshirts, and I got a bunch of orders for this towel sweatshirt with a wave logo on it. I got it quoted, and it was so high in New York, and I was like, "I feel like this shouldn’t cost that much money to make." L.A. Is the land of sweatshirts and t-shirts, and I found a factory in L.A. And met them, and it was a really positive experience.
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Design History was founded in 2001 in New York and has established itself as a leading women’s contemporary brand. What initially launched as a line of cashmere has evolved far beyond that. In addition to his ability to produce authentic period pieces, the gangster flicks, musicals and dramas of Warner Bros were in skilled hands with him. The following list of 20 Costume Designers aims to highlight the importance of the craft and its influence on cinematic style and occasionally beyond.
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An aunt I was super-close with said, "You should be a fashion designer." So that thought was in my head for years. Finally, in high school, I started taking sewing classes—I was the only person in class—and I studied fashion in community college. I graduated and went to CCA in San Francisco. I did my senior fashion show, and one of the judges owned a boutique in San Francisco, and he gravitated toward the line, and he and his sister ordered my collection to be in their store. I sewed and screen printed the whole collection.
More often than not, those decisions are possible because they live in Los Angeles. And, with so much creative headspace, their designs have been able to come fully into their own in L.A., a city whose expansiveness offers an open and inspiring place in which to create. A cast announcement for Star Wars Episode VII clouded by the debates over actors not cast is the costume designer Michael Kaplan. Equally comfortable in Sci-Fi as he is in psychological thrillers, Kaplan’s designs are pivotal in setting up the atmosphere required. Much has been said of the cinematography of Blade Runner and the mood of Fincher’s contemporary noir detective story Se7en.
Refresh your fall wardrobe with this marled knit sweater by Design History. Pointelle stitching and a scalloped collar add a feminine feel to this relaxed pullover featuring long puff sleeves and ribbed trim. Pair with jeans and a belt for a chic sweater-weather look. Always on-trend, Design History is now synonymous with sought after favorites including sweaters, tops, jackets and dresses. The brand epitomizes femininity and each style strikes a balance between sophistication and playfulness. See what we mean in our spotlights on nine L.A.
But after that, I thought, I wanna do what I wanna do, and I wanna work with clothes. When I started, I opened an Etsy shop and tapped into the wholesale market of vintage dead stock. A couple of months after I launched, Urban Outfitters contacted me because they were starting a little vintage capsule project here in L.A., and they were looking for people to source for them. I started working with them while I was still in New York. But I had wanted to leave New York for probably at least two years; I lived in NY for nine years, and I wanted to get off the MTA map and needed to change. So I came out for six weeks and met a buyer that I had been working with, and I did an event with Urban and figured, Okay, I can figure out how to make a living here, and I moved.
A lot of really talented people are coming out of L.A. That are wanting to be a community, and that are positive and giving each other advice and help. Doing this is really hard, and it can be a mystery because no one wants to share with you their secrets, but here, so many people do share their secrets and are so helpful. I’ve made really good friends from being in this industry, so that makes me happy. I feel so embraced by the design community here in L.A.
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